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. the darkness : 2024

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. the philosophers : 2023 .

. fragile : 2022 .

. gray sky gallery : 2022 .

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. seattle glassblowing studio : 2022 .

. florentia : 2021 .

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. the darkness : 2024

. icon : 2024 .

. the philosophers : 2023 .

. fragile : 2022 .

. gray sky gallery : 2022 .

. icon : 2022 .

. seattle glassblowing studio : 2022 .

. florentia : 2021 .

. bam gift shop : 2021 .

. icon : 2021 .

. saccharin(e) shrines : 2021 .

. icon : 2020 .

. scoop dujour : rotating .

. publications .

. resume .

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. the darkness : 2024

. icon : 2024 .

. the philosophers : 2023 .

. fragile : 2022 .

. gray sky gallery : 2022 .

. icon : 2022 .

. seattle glassblowing studio : 2022 .

. florentia : 2021 .

. bam gift shop : 2021 .

. icon : 2021 .

. saccharin(e) shrines : 2021 .

. icon : 2020 .

. scoop dujour : rotating .

Folder: . artist .

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carrie grey

3315 14th ave s
seattle, wa 98144

503-354-4388

/ falling back to 1986 . 2024

I thought a little nostalgia was appropriate for this post as I (re)introduce myself. Vincent and I are both 17 in these photos.

Tomorrow, it will be exactly 8 years since I sold my home and decided to pursue art.

🤘

/ arlo wigglebutt grey . 2016

Just a quick reminder to give your furry fluff bucket a big cuddle today ❤️

/ angel . 2023

This may be my first Christmas without making ornaments in quite awhile.

The angels were always my favorite. So Euclidean and Spiritual at the same time. Nothing beats an opal white from @fremont_antique_glass.

/ alfred with stained glass panel . 2024

#thecure
#thelovecats
#stainedglass

/ dahlia . 2023

Absolutely stoked to see one of my all-time favorite panels making its professional debut!

Be sure to check out:
https://www.welcometothemeadow.com/

#mattandkim
#stainedglass
#contemporarystainedglass

/ the light garden | update . 2024

A few of you have inquired about “The Light Garden”, a project I started in the Winter of 2022/3 as a way of honoring my daughter’s memory and legacy.

For those who aren’t familiar, I asked

/ daisy . 2020

This is one of my favorite panels and it graced my studio for many years after being exhibited at multiple galleries.

I am thrilled about where she finally ended up.